Tuesday I auditioned for Thoroughly Modern Millie. The only thing really open to me is Mrs. Meers; the other mezzo role, Muzzy van Hossmere (sp?), is specifically described as African-American, and the ensemble has to tap. After doing things like folk-dancing barefoot on a concrete slab back when I was young and ignorant of such matters, my knees won't put up w/ the punishment of tap, so ensemble's out. As I'd expected based on my merely adequate singing that night, I didn't get called back, so I expect to get a "thanks but no thanks" in another week or so. Which is OK now that I'm doing Birdie.
My Birdie audition Wednesday night was kinda funny; I'm not at all sure how well my singing went (I got cut off at both auditions, using the same piece), but I thought I read well. The director apparently agreed, as he had me and another auditionee stay for callbacks, and ended up giving me the only part he had me read for. Mae is going to be fun to do, but I'm a little disappointed that the role calls for no dancing and only a few ensemble songs. Ah well, working on her accent will be good exercise; the director wants her played as a "quintessential New York Jewish mother". At callbacks I read it with what I thought was rather a cartoony accent, but I got compliments on it from two people - one a self-identified NY Jew; the other, one of the women also up for the part.
We're working Ruddigore choreography fixes today, which will be fun. It'd be more fun if I had more dancing than just a tiny piece of the one number, though. Unlike a lot of singers I've shared a stage with (especially most of the guys), I actually look forward to the dancing. The more dancing there is in a show, the better I like it! (Which is another reason I really want to do Merry Widow!) Yet in Ruddigore and Birdie, I end up doing little or none.
Tonight I'm off to adjudicate A Moon for the Misbegotten. A friend recommended an Irish pub near the theater; after checking out the menu online, I decided to make an evening of it.
Tomorrow I'll audition for Condensed Mikado and Merry Widow. I do hope the company will be willing to let me play with them despite my as-yet-unknown Birdie rehearsal schedule. I'd be delighted to do either show: Mikado would mean a lead (which would be exciting!), Widow would only be chorus but presumably I'd get to dance. Either way, I'd be very pleased.
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