Last night was my 3rd audition in 4 days; this one was for Best Little Whorehouse in Texas. I picked an audition piece at the last minute so I didn't get much rehearsal time with it. That showed last night - I didn't sing badly, but I was so busy worrying about killing the "opera" in my sound that I ended up killing the sound a bit too. I didn't do badly with the dance combo, which was kinda fun, but I'd be very surprised if they offer me anything but ensemble.
Of my 9-person group, 8 of us sang unremarkably. The 9th, however, did a vibrant rendition of Eddie Rabbitt's "Kentucky Rain" - obviously well rehearsed, and he had a lovely, rich baritone. He was also the only one of the lot of us who actually sounded country. I don't know how he did with the dance combo - I was too busy worrying about how I was doing with it - but I'll be very much surprised if they don't cast him.
Here's where I stand on the 3 auditions:
- I've just been offered chorus in La Belle Helene;
- still waiting to hear about Romeo & Juliet, though I'm expecting "thanks but no thanks"; and
- we were assured last night that we all will hear one way or the other by Friday night about Whorehouse.
When I saw the e-mail with La Belle Helene in the subject line and callbacks not until Thursday, I had a moment of excitement; until I opened it and found the "thank you for auditioning; we'd like to offer you a part in the chorus". Sigh. I keep hoping that eventually I'll break outta the chorus with this group, but there are too many other, younger, better mezzos out there. Still, given a choice between ensemble in this show and in Whorehouse, I'll go with this group, largely because I want to work with this director. She does this professionally, so I want to see how she works. I do want to work with the other group, but their rehearsals are quite a bit further away (17 miles one way vs 8 miles round trip). I'll just keep auditioning for them; eventually I'll get in.