The Chief & I reported for duty to the theater last night to help w/ lights. Neither one of us has ever worked lights before. Closest I've come was being one of the bodies told to "stand here" or "now move over there" when the lighting techs have been focussing and setting levels, while the Chief has occasionally helped w/ a set build while the lights were being worked on.
Spare some pity for the lighting tech who was saddled with 2 utter beginners and found herself explaining basic terms & procedures to us while we worked last night. "This is a gel; we generally get 9 to a sheet when we're cutting for leakos (sp???)." She was very patient and not at all condescending as she explained what she was doing and having us do, showed us how to "drop color" (insert framed pieces of colored plastic, aka "gels") into lights, and focus and otherwise adjust said lights.
Last night we learned all kinds of lighting terminology and some basic techniques. It was interesting to see how the lighting designer (or LD) had the gobos (templates which throw a design onto whatever the light is pointed at) positioned. I'm looking forward to seeing how it all works on the set.
I now have a pretty good idea I wouldn't make a good LD. Ours had a lot of lights to work with, meaning a lot of decisions to be made about each. Do I want to use all of them? If not, which ones get turned off? What colors do I want where? Do I want to throw any designs on the stage? And which color combinations do I need to use to get the desired effect? An incredible amount of detail involved. I have a new appreciation for lighting design, even if I still don't have a clue how to go about it.
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