Here are some pics of the bonnet, all trimmed and ready to go. I was pretty happy w/ how it turned out. I'd do the ribbon ties differently in future, but otherwise it looked perfect on the wearer and on stage.
Here are some pics of the bonnet, all trimmed and ready to go. I was pretty happy w/ how it turned out. I'd do the ribbon ties differently in future, but otherwise it looked perfect on the wearer and on stage.
I decided to use my February show as an excuse to buy an undecorated bonnet, which I'm trimming and will lend to the production. The lace and ribbon are all from my stash. I wasn't too sure about this lace, but since I'm not worrying about historical accuracy (the bonnet shape is at least 10 years out of date for the production), I decided to use it, if only to save myself a trip. Sewing on the lace through this tightly woven straw is slow going, but I'm really liking how it looks so far.
I seem to be becoming more of a designer than a performer. Two years ago I designed 5 productions (3 of them adaptations of Pride & Prejudice) and garnered award nominations for 2 of them. Last year I designed 5 more shows: Die Fledermaus, Tosca, Arsenic & Old Lace, The Importance of Being Earnest, and DOT. Here it is barely February and I've already styled a wig for one show and am about to start styling 8 wigs (and possibly trimming a bonnet) for an operetta running in a couple of weeks.
As for getting on stage, there's been precious little being presented that a) I'm interested in, b) has at least one role for a woman older than 20 or 30, and c) fits my schedule. Since doing Pirates 5 (!) years ago, the only time I've been onstage was for the 2023 Christmas Revels. That wasn't as satisfying as I'd hoped - we rehearsed in an unheated ballroom, we only ran one weekend, and the cast was HUGE - close to 80!
The design work is coming along nicely - I keep getting the occasional award nomination (though that's probably a factor of far fewer designers than performers), I've gotten to do some really fun, rewarding projects, and worked with some lovely people.
But I wanna go back to swanning around a stage in a costume and singing choruses in public. Not sure how to make that happen, with so few operettas and musicals having roles for older women.
So last year I worked on Iolanthe and had to touch up the Lord Chancellor's wig. The company owns 3 or 4 but they all looked pretty sad and squashed after being crammed into a bin for storage. Here are 2 of them (I don't have a "before" picture of the third):
OK, nothing so dramatic as the title might make it sound. I'm designing hair and makeup for a stage adaptation of Pride & Prejudice and several of the actors will be wearing wigs. We ended up ordering a wig for one of them; right texture but wrong shape. Merely pinning it won't work because there's too much volume in the back & sides; trying to pin it smaller would merely leave it looking matted. The challenge is to take this:
I just realized I haven't touched this blog in 2 years! I may take it in a new direction. I've been doing a lot of hair & makeup design lately, so this might be a good place to record what I work on and track my progress.
I finished The New Moon about a month ago. Set in 1790, so just about everyone wore a wig, and one utility ensemble member had three! I had a few false starts with some of the wigs, so I ended up styling close to 40 of them. No, I didn't have anyone to help, so although I was also supposed to be makeup designer, I was so busy doing wigs that makeup got very short shrift indeed.
I was styling wigs right up to opening night, and ended up restyling one of them because I wasn't too happy with how the first attempt turned out. Fortunately, the singer, the director & I were all happy with the 2nd attempt.
The men's wigs were largely queues and braids; easy. It's just that there were about 12 or 15 of them. The challenge was the women's wigs. They were all variations of the Georgiana, Adele and Matilda styles from 18th Century Hair and Wig Styling. They took a LONG time - about an hour just to do a wet set of each one (though by the end I think I got it down to 45 mins), using close to 30 rollers each. Then the wig had to sit & dry, then I had to take it apart and style it; usually good for another 30 mins to an hour. (For these styles I definitely recommend the (discontinued, sadly) Lioness style wig, by Mona Lisa, if you can find one.) Multiply that by 17 or 18 and you get an idea of how very much time it all took.
I stumbled onto Maria Grace's Jane Austen's Dragons series last year and really enjoyed them. I get notices of her blog posts and all that; it's been fun. A post back in February or March noted that one of the proofreaders for her newest book, Dragons Beyond the Pale, had had to drop out. In a comment, I offered to pick up the slack, never expecting her to take me up on it. But she did! She sent me the book in 4 files, which I proofed and sent back to her. The book came out last week "and I helped!" to quote the ancient Shake & Bake commercial. As a thank you, she sent me an e-copy of the book and is also mailing me a paperback version.
It was little weird in that I didn't want to tell an author what to do, but the language geek in me just has to fix the punctuation, catch the repetitive phrases, etc. And of course no one is immune to typos. i went thru each file twice before returning it. It was interesting to see what I missed on the first pass, usually because I was a little too engrossed in the story but sometimes because I think my brain just read what should have been there instead of what was actually there. My notes reflected my ambivalence: "Hmm; perhaps ..." or "consider using __ or __ instead" or "I don't think you need to use this; it doesn't really add anything." I haven't checked the e-version yet to see how many of my suggestions she kept. I may wait for the paperback to arrive.
This was fun! I got to help an author I enjoy get her newest title into the hands of her eager fans - that was something of a rush. This book leaves the door open for at least 2 or 3 more in the series; I sure hope she taps me for those books, too.
The Chief has been suffering from "frozen shoulder" for a few months. The remedies of first and second resort haven't helped much at all, so now he's scheduled for surgery in early June.
I learned a coupla months ago that one hip is bone on bone, so now I'm "radiologically ready" for hip replacement! That was quick - the last time my hip was x-rayed, 2 or 3 yrs ago, it showed only mild arthritis. So surgery for me, too. The trick will be timing it so that Ray's recovered enough to take care of me. 😵
Looks like we might be using our long-term care policy a LOT sooner than we'd anticipated!