OK, nothing so dramatic as the title might make it sound. I'm designing hair and makeup for a stage adaptation of Pride & Prejudice and several of the actors will be wearing wigs. We ended up ordering a wig for one of them; right texture but wrong shape. Merely pinning it won't work because there's too much volume in the back & sides; trying to pin it smaller would merely leave it looking matted. The challenge is to take this:
Monday, April 10, 2023
Saturday, April 08, 2023
Did anyone miss me?
I just realized I haven't touched this blog in 2 years! I may take it in a new direction. I've been doing a lot of hair & makeup design lately, so this might be a good place to record what I work on and track my progress.
I finished The New Moon about a month ago. Set in 1790, so just about everyone wore a wig, and one utility ensemble member had three! I had a few false starts with some of the wigs, so I ended up styling close to 40 of them. No, I didn't have anyone to help, so although I was also supposed to be makeup designer, I was so busy doing wigs that makeup got very short shrift indeed.
I was styling wigs right up to opening night, and ended up restyling one of them because I wasn't too happy with how the first attempt turned out. Fortunately, the singer, the director & I were all happy with the 2nd attempt.
The men's wigs were largely queues and braids; easy. It's just that there were about 12 or 15 of them. The challenge was the women's wigs. They were all variations of the Georgiana, Adele and Matilda styles from 18th Century Hair and Wig Styling. They took a LONG time - about an hour just to do a wet set of each one (though by the end I think I got it down to 45 mins), using close to 30 rollers each. Then the wig had to sit & dry, then I had to take it apart and style it; usually good for another 30 mins to an hour. (For these styles I definitely recommend the (discontinued, sadly) Lioness style wig, by Mona Lisa, if you can find one.) Multiply that by 17 or 18 and you get an idea of how very much time it all took.
Thursday, April 29, 2021
I'm published! (sorta)
I stumbled onto Maria Grace's Jane Austen's Dragons series last year and really enjoyed them. I get notices of her blog posts and all that; it's been fun. A post back in February or March noted that one of the proofreaders for her newest book, Dragons Beyond the Pale, had had to drop out. In a comment, I offered to pick up the slack, never expecting her to take me up on it. But she did! She sent me the book in 4 files, which I proofed and sent back to her. The book came out last week "and I helped!" to quote the ancient Shake & Bake commercial. As a thank you, she sent me an e-copy of the book and is also mailing me a paperback version.
It was little weird in that I didn't want to tell an author what to do, but the language geek in me just has to fix the punctuation, catch the repetitive phrases, etc. And of course no one is immune to typos. i went thru each file twice before returning it. It was interesting to see what I missed on the first pass, usually because I was a little too engrossed in the story but sometimes because I think my brain just read what should have been there instead of what was actually there. My notes reflected my ambivalence: "Hmm; perhaps ..." or "consider using __ or __ instead" or "I don't think you need to use this; it doesn't really add anything." I haven't checked the e-version yet to see how many of my suggestions she kept. I may wait for the paperback to arrive.
This was fun! I got to help an author I enjoy get her newest title into the hands of her eager fans - that was something of a rush. This book leaves the door open for at least 2 or 3 more in the series; I sure hope she taps me for those books, too.
Last year was the plague year; this year it's surgery
The Chief has been suffering from "frozen shoulder" for a few months. The remedies of first and second resort haven't helped much at all, so now he's scheduled for surgery in early June.
I learned a coupla months ago that one hip is bone on bone, so now I'm "radiologically ready" for hip replacement! That was quick - the last time my hip was x-rayed, 2 or 3 yrs ago, it showed only mild arthritis. So surgery for me, too. The trick will be timing it so that Ray's recovered enough to take care of me. 😵
Looks like we might be using our long-term care policy a LOT sooner than we'd anticipated!
Sunday, June 28, 2020
I hope this doesn't become a trend :(
Unfortunately, someone who's a FB friend because she's an expert in historical clothing and, by extension, social history, is a conservative who has a tendency to edge toward snark. I don't want to unfriend her too, but the way things are going, what with the pandemic, the protests, and the pending election, I'm not too sanguine.
The one other conservative on my F-list was the parish secretary for yoicks. She once described Trump as "prayerful"! I don't know where she got that idea, but she may be headed off my list too.
I don't want to work in a bubble but if all my conservative friends are drinking the pro-confederate flag, anti-BLM, "Trump can do no wrong" koolaid, I don't know how long I can turn a blind eye.
"I’m a liberal, but that doesn’t mean what a lot of you apparently think it does."
Wednesday, October 30, 2019
I guess it's that time of year again :(
I gotta get this under control soonest, so I can start practicing in earnest for my Messiah gig; listening to recordings & following along in the score can only take me so far.
Sunday, October 20, 2019
Back in the chorus again
Ah well, Pirates is one of the best for women's chorus. I'll go into it already knowing the music, and not having to worry about memorizing lines will make it easier to design the show as well as be in it.
Tuesday, October 15, 2019
Busy theater spring
First up was The Gondoliers. Not only did I get to style 4 hedgehog wigs and a man's wig with buckles (those rolls on the sides), plus wigs for a couple of other folks that were set-and-forget, but I was also in the show. Oh, and I made 7 headdresses for the married contadine of the ensemble and had a heckuva time figuring out how to anchor the *@&$%! things to everyone's heads. That made tech week and the run even busier than usual, because I had to age one of the men, do final makeup for a few of the men, eyeliner for one or two folks with less-than-steady hands, AND had to keep tweaking that blasted buckle wig. I dubbed it my "problem child" because I had to take it home and restyle it at least twice, in addition to all the backstage tweaking I had to do. Still, it was a fun show, and I was happy with how the "hedgehogs" turned out. Not as big as I'd hoped, but not at all bad for a first attempt.
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one buckle wig (L) and 2 hedgehogs (C, R)
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What's wrong with "The Play that Goes Wrong" - MAJOR spoiler alert!
Warning: The rest of this post will be full of spoilers.
As you can guess from the title, the whole play is full of one mishap or disaster after another. In fact, the whole "plot" is merely a vehicle to carry as many actor's and tech's nightmares as possible. This means you find yourself wondering what's going to go wrong next, and when. As a result, pretty much every performer on stage has to be good at (sometimes very) physical comedy, which probably left most of them with a whole lotta bruises. The cast we saw did an excellent job at physical comedy, especially Maggie Weston and Matt Walker (Florence and Cecil). Maggie got dragged upside-down & sideways through a window in Act I, and Matt took pratfalls, executed somersaults, walked into things face first, and generally made it look as though he'd be black and blue from head to toe by the next morning.
The set includes a platform, appropriately furnished, that represents an upstairs study. Over the course of the play the downstage end drops a few inches two or three times, while there are people standing on it. My first thought was "Are they OK?!" Now of course I know that there is no way such a bit of business was allowed without making completely sure they could pull it off safely. Still, it would be so easy for something unscripted to go wrong that I couldn't relax, for the performers' sake.
There were a few moments when something would happen or someone would say something and the people on stage would pause, or they would draw out a sight gag, milking it for all it was worth. I know it was done for comic effect, but I felt that in most cases they let it go on too long.
The performers did do a good job, but they were upstaged by the special effects of the disasters. Those were so well staged (the shifting platform, a trick floorboard, things falling off walls, and so many more) that it's easy to see why the set won a Tony. The engineering involved in creating those effects so they could be controlled with exquisite timing was impressive! (We couldn't help but wonder how long it takes the crew to reset everything for the next performance.)
There were a lot of references to actor's nightmares (e.g., an actor redelivering a line, causing everyone else to repeat a scene) and tech's nightmares (a stagelight sparking as its support falls), but a whole play based almost entirely on stringing them together was a lot funnier to the people coming up with the idea than it was to at least these two members of their audience.
Saturday, July 13, 2019
"Wig school" was so much fun!
I was a little intimidated to learn that I was the only amateur in the class. Everyone else was a theater professional, most of them in some aspect of costuming (cutter, draper, wardrobe) who wanted or needed to learn about wigs because they sometimes got tapped for "wig duty" for one show or another. Two of us had also taken the wig-making class taught the week before. I might consider taking it in some future year, but for now this was plenty.
They showed us SO MUCH! The size curls you get from different rollers, ways to color a wig (temporarily or permanently), how to wash a wig, how to wear and clean the lace on lace-front wigs, how to do your own wefts, how to do fingerwaves, and so much more. Most of our time, however, was spent on styling wigs - setting the styles, drying them, brushing them out, then styling them. I wasn't terribly successful - only got 2 right on my first try - but I took a lot of notes on what I didn't like and how to fix it, which is probably more helpful.
It was very productive, in that sense - we each styled at least 5 wigs in just 5 days' time: an 18th-century man's wig, a modern man's wig, and at least 3 add'l styles (1940s, 1640s, and pre-Raphaelite for me). I took so many pictures that I actually maxed out the data usage on my phone, for the first time since I got it 3 years ago.
Now I want to re-do some of the wigs I styled for my spring shows - the 1920s curls would look better, the 1780s "hedgehog" wigs would be bigger, bushier, and generally better. As for the Duke's buckles, well, my first lesson was to use yak hair instead of the slippery, silky, static-y stuff on the wig I was trying to work with. (Those side curls were the bane of my existence - I had to reset them for every performance!)
Gimme a period show to style, somebody, please! I'm itching to use all my newfound knowledge! 😁
Another lovely birthday bash
Sunday, June 02, 2019
Practicing theatrical owies
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| You should see the other guy! 😁 |
Saturday, June 01, 2019
What a semester it's been!
I learned a lot, sang a lot, and generally had a good time. Good thing I only took those 2 classes or it would have been a lot more stressful.
Tuesday, March 19, 2019
More crocuses!
While I'm at it, I may plant some snowdrops too, so I'll have flowers that much sooner.
New "shoes"
Sunday, February 10, 2019
MT workshop has only met twice and I'm already learning a lot
I've sung in choirs and choruses on and off, but mostly on, since grade school. That's a LOT of singing, but no instruction on technique. It wasn't until I was fairly well established in my career, and had done community theater with a lot of excellent singers, that I decided I both wanted and could afford to take voice lessons. Over the ensuing coupla decades, most of those lessons have been remedial work - unlearning all the bad habits I developed because a choir director doesn't have time to correct singers' vocal production techniques. Only recently have I gotten to be a singer, not just someone who likes singing.
This class has already shown me that I've spent so much time working and concentrating on my technique that I focus on that when I sing, whether in performance or audition. They don't care about my technique (unless it's awful, of course); they want to hear me put my heart & soul into what I'm singing, bring it to life. A pretty voice is all well & good, but directors want to cast someone who inhabits the music. Now that I realize that, I need to work on trusting my technique to take care of itself while I learn how to really deliver a song.
Cancer, the serial killer, is at it again
Last week, a couple we know who for the past decade or more have done fund-raiser bike rides for cancer research came to the show I was teching. (She's a cancer survivor.) I shared about how VERY many people the Chief & I know who have had cancer, and how many we've lost to it. "Kill it with fire! Bury it with a mouthful of garlic and several stakes through its heart!"
This is the first January in 3 or 4 years when we haven't attended a funeral. When I start to think of all the people I've known who've dealt with cancer, I keep thinking of more - there are SO MANY. 😢
Wow, it's been a while!
- overlapping shows since October
- the news that the Chief's cancer is back
- dealing with all his pre-treatment tests and assessments
- a relatively last-minute decision to host another Christmas open house, once we knew the Chief's medical schedule
- a quick trip to visit my family over the weekend between Christmas and New Year's
- a show that loaded in the first weekend in January
- rehearsal and design work for my late-February show
- TONS of pre-class homework for my musical theater workshop











