That's my last show for the year on its feet

Macbeth opened tonight.  This show hasn't been particularly demanding and everyone with wigs or special makeup now knows how to get themselves ready or has someone to assist.  To paraphrase our director, all my little birds are now ready to fly, so I went home shortly before intermission in hopes of getting to bed before midnight for the first time all week.  It'll be nice to have dinner at home with the Chief instead of eating backstage after I finish helping folks get ready.

But don't "my" witches look nice & spooky?

I don't plan to pick up another show this year.  My medical "adventures" will keep me busy, and tired, for the next few weeks, and December is pretty well booked, between a wedding and Christmas.

Good for my humility :)

I'm designing hair & makeup for a production of Macbeth that opens this Friday.  This is a very active production - lots of sword fighting with real swords, not plastic or wooden ones, and the witches have some pretty creepy movement when they're not playing Messenger #1, Lady's Maid #2, etc.  All this means that, for example, fight call takes a lot of time because there's so much to rehearse.  (Fight call is when the performers go through their fight choreography, first at half speed, then at full speed.  This is a very important safety procedure.)

Our costumers are still putting finishing touches on the players' armor, cloaks, etc., and the lighting and sound are still being tweaked.  All this to say that our director has a LOT of pieces to look at and make decisions on.  So far, I've gotten only one note, on the first version of Witch #1's wig.  Just finding the time to ask her a question when she doesn't look like her brain will explode serves to remind me that, while not unimportant, hair & makeup is well down most directors' list of things that they need to render a decision on.  In fact, one of the cast told me that this is the first production she's been in that even had a hair & makeup person.

Bottom line:  It's important to me because that's where my focus is.  Other people, however, have a LOT more things competing for their attention, so my priority and theirs don't align.  I'm not whining, just laughing ruefully at myself.

(My witches won't look like this but I liked the photo.)

Weird post-op stuff

My system is definitely different since getting my thyroid yanked.  First of all, there’s all the weird breathing stuff because of that paralyzed vocal fold.  I have coughs that sound like sneezes, or occasionally like sobs, just for variety.  Then there are the little inhales that sometimes rumble in my chest and sound like snoring or growling.  And we can’t forget the gasping inhale, though those are becoming less common.  My speaking voice is still weird - high, in a cartoony way, or mid-range and glitchy.

In addition to the dizziness that just started today, I’ve been dealing with “evanescent urticaria” - the here-again-gone-again rashes I keep getting.  My energy level continues to be low, to the point that I told the director of my next show that I won’t be able to be part of the design team after all. 😢  I thought about that one long and hard, but in the end I just couldn’t justify staying on when I can’t guarantee whether I’ll be able to do good work.

On the other hand, my arthritis has been leaving me alone, even the arthritis in my neck, the MRI for which is what got me started on this adventure.

This will be an easy one.

I just joined the hair & makeup crew for Legally Blonde, working for someone whose work I've admired.  As it happens, this one will be easy - although they loaded in today, they won't need me again until Wednesday, two days before we open.  Only 4 wigs involved, as the cast are mostly wearing their own hair and the makeup is nothing out of the ordinary.  Given all that, I'll probably end up doing more to help w/ costume changes than with hair or makeup.  So far, all I've done was steam most of the curl out of a wig; that took all of about 10 or 15 minutes.  Because I'm not the one in charge, I don't have to schlep wigs, wig heads, hairpins, or any of the other styling paraphernalia, just my purse, water bottle and hoodie.  Yep, definitely light duty.

Lady Bracknell

 I designed a production of The Importance of Being Earnest back in October.  Our Lady Bracknell is a big wig wearer, has an Instagram account where she models and discusses the many wigs in her collection.  When she was cast as Lady B, she bought herself a gray wig for me to style and asked me to take pictures of the steps in the process.  She used those photos to do a little video for her account, showing the before, during, and after.  Here's the link:  https://www.instagram.com/p/DBwPRdQuifV/

Busy theater spring

I really loaded up my theater schedule this year.

First up was The Gondoliers.  Not only did I get to style 4 hedgehog wigs and a man's wig with buckles (those rolls on the sides), plus wigs for a couple of other folks that were set-and-forget, but I was also in the show.  Oh, and I made 7 headdresses for the married contadine of the ensemble and had a heckuva time figuring out how to anchor the *@&$%! things to everyone's heads.  That made tech week and the run even busier than usual, because I had to age one of the men, do final makeup for a few of the men, eyeliner for one or two folks with less-than-steady hands, AND had to keep tweaking that blasted buckle wig.  I dubbed it my "problem child" because I had to take it home and restyle it at least twice, in addition to all the backstage tweaking I had to do.  Still, it was a fun show, and I was happy with how the "hedgehogs" turned out.  Not as big as I'd hoped, but not at all bad for a first attempt.

one buckle wig (L) and 2 hedgehogs (C, R)

"Wig school" was so much fun!

DePaul University's Theater dept. offers a week-long wig styling & maintenance class, which I attended at the end of June.  There were only 7 of us, plus 2 students who worked in the university wig shop and were assisting the instructors.

I was a little intimidated to learn that I was the only amateur in the class.  Everyone else was a theater professional, most of them in some aspect of costuming (cutter, draper, wardrobe) who wanted or needed to learn about wigs because they sometimes got tapped for "wig duty" for one show or another.  Two of us had also taken the wig-making class taught the week before.  I might consider taking it in some future year, but for now this was plenty.

They showed us SO MUCH!  The size curls you get from different rollers, ways to color a wig (temporarily or permanently), how to wash a wig, how to wear and clean the lace on lace-front wigs, how to do your own wefts, how to do fingerwaves, and so much more.  Most of our time, however, was spent on styling wigs - setting the styles, drying them, brushing them out, then styling them.  I wasn't terribly successful - only got 2 right on my first try - but I took a lot of notes on what I didn't like and how to fix it, which is probably more helpful.

It was very productive, in that sense - we each styled at least 5 wigs in just 5 days' time:  an 18th-century man's wig, a modern man's wig, and at least 3 add'l styles (1940s, 1640s, and pre-Raphaelite for me).  I took so many pictures that I actually maxed out the data usage on my phone, for the first time since I got it 3 years ago.

Now I want to re-do some of the wigs I styled for my spring shows - the 1920s curls would look better, the 1780s "hedgehog" wigs would be bigger, bushier, and generally better.  As for the Duke's buckles, well, my first lesson was to use yak hair instead of the slippery, silky, static-y stuff on the wig I was trying to work with.  (Those side curls were the bane of my existence - I had to reset them for every performance!)

Gimme a period show to style, somebody, please!  I'm itching to use all my newfound knowledge! 😁

Next show...

Today I attended a production meeting for a production of Lend Me a Tenor (LMAT), for which I'm designing hair and makeup.  I love 1930s styles, so this will be fun.  LMAT presents the additional feature of requiring two of the men to wear Otello costumes, including "moorish" makeup.  One of them has to get out of that makeup and back into normal makeup relatively quickly.  (I still need to read the script to see just how much time he has for the change.  That'll happen this weekend.)

I've already reached out to the costumer to arrange a get-together so I can coordinate my designs with hers.  She may also want to borrow the dress I made last year for Death Takes a Holiday.  It would be nice to get a little more mileage out of it; doesn't matter that I won't be the one wearing it.

LMAT is a funny show; I'm looking forward to being part of the production team.

The wigs will have parking places

Eight of the nine women in the show will have wigs or hairpieces, all of which I bought yesterday.  Oh, and a few wig heads to put the wigs on.  I brought the lot to rehearsal tonight and asked our producer if he or someone else could put some dowels onto a board to hold the wig forms with their "residents". That will keep the styrofoam things from toppling over from the weight of the wigs, which will help keep the wigs and pieces in some semblance of order.  I should have it by next Monday, just in time for tech week.