Getting caught up

I seem to be becoming more of a designer than a performer.  Two years ago I designed 5 productions (3 of them adaptations of Pride & Prejudice)  and garnered award nominations for 2 of them.  Last year I designed 5 more shows: Die Fledermaus, Tosca, Arsenic & Old Lace, The Importance of Being Earnest, and DOT.  Here it is barely February and I've already styled a wig for one show and am about to start styling 8 wigs (and possibly trimming a bonnet) for an operetta running in a couple of weeks.

As for getting on stage, there's been precious little being presented that a) I'm interested in, b) has at least one role for a woman older than 20 or 30, and c) fits my schedule.  Since doing Pirates 5 (!) years ago, the only time I've been onstage was for the 2023 Christmas Revels.  That wasn't as satisfying as I'd hoped - we rehearsed in an unheated ballroom, we only ran one weekend, and the cast was HUGE - close to 80!

The design work is coming along nicely - I keep getting the occasional award nomination (though that's probably a factor of far fewer designers than performers), I've gotten to do some really fun, rewarding projects, and worked with some lovely people.

But I wanna go back to swanning around a stage in a costume and singing choruses in public.  Not sure how to make that happen, with so few operettas and musicals having roles for older women.

I guess it's that time of year again :(

Last night the Chief had to take me back to Urgent Care because my asthma was getting bad again.  It started with Wednesday's rain, and not being able to get the vials for my nebulizer until Saturday.  They had to give me a triple neb dose and 120 mg of prednisone.  Needless to say, I wasn't good for much today.

I gotta get this under control soonest, so I can start practicing in earnest for my Messiah gig; listening to recordings & following along in the score can only take me so far.

Back in the chorus again

Friday night I auditioned for a(nother) production of The Pirates of Penzance, asking for Ruth.  Knowing one of the other women going for that role, I didn't really expect to get it.  However, when I didn't get called back for the role, I realized I was kind of expecting I would at least get a callback.  Not sure why; given how few roles there are for older women, there was bound to be stiff competition, and the woman who auditioned right after me (also going for Ruth) sounded impressive from out in the hallway outside the audition room.  It didn't help that I was working against an asthma flare (which had me in Urgent Care that night).

Ah well, Pirates is one of the best for women's chorus.  I'll go into it already knowing the music, and not having to worry about memorizing lines will make it easier to design the show as well as be in it.

What a semester it's been!

It's been a very busy semester musically.  The MT workshop did 2 cabarets and performed at the university's annual "open house" (every department pulls out the stops to entertain and advertise to family, friends, neighbors, and more).  The concert choir sang a world premiere with one orchestra the week before spring break (good thing my boot was "concert black"), then sang with a 2nd orchestra at the end of the semester, including a performance at CARNEGIE HALL!!!

I learned a lot, sang a lot, and generally had a good time.  Good thing I only took those 2 classes or it would have been a lot more stressful.

MT workshop has only met twice and I'm already learning a lot

The Musical Theater Workshop I'm taking this semester meets once a week for a 3-hour class period.  We've only met twice so far, but already I'm getting a new perspective on auditioning and performing an audition piece, and about how I need to rethink both.

I've sung in choirs and choruses on and off, but mostly on, since grade school.  That's a LOT of singing, but no instruction on technique.  It wasn't until I was fairly well established in my career, and had done community theater with a lot of excellent singers, that I decided I both wanted and could afford to take voice lessons.  Over the ensuing coupla decades, most of those lessons have been remedial work - unlearning all the bad habits I developed because a choir director doesn't have time to correct singers' vocal production techniques.  Only recently have I gotten to be a singer, not just someone who likes singing.

This class has already shown me that I've spent so much time working and concentrating on my technique that I focus on that when I sing, whether in performance or audition.  They don't care about my technique (unless it's awful, of course); they want to hear me put my heart & soul into what I'm singing, bring it to life.  A pretty voice is all well & good, but directors want to cast someone who inhabits the music.  Now that I realize that, I need to work on trusting my technique to take care of itself while I learn how to really deliver a song.

Just got my first paid wedding gig!

I had auditioned for a temporary church job, didn't get it because the Chief & I will be on vacation for almost half the time they wanted to cover.  However, the email telling me that also asked if I'd be interested in cantoring a wedding next Saturday afternoon.  Sure thing!  Only cantoring, not soloing, but it pays.  Woo-hoo!  I'm gonna be a wedding singer! 😊

Another Sing-Out!

It's that time again!  Every 5 years, the theater company I keep coming back to hosts a marathon Gilbert & Sullivan sing-along over Labor Day weekend.  You sing through all the music (but none of the dialogue) of all 13 surviving G&S shows.  (Their first collaboration, Thespis, or the Gods Grown Old, survives only in fragments.) 

This will be the 3rd sing-out for which the host company will present one of those shows in a semi-staged, concert version, with a full orchestra on stage w/ the singers, and the principals in costume.  The company chose Utopia, Limited and The Grand Duke for these concerts because those two are rarely done.  When we presented Grand Duke for the first concert production 10 years ago, the response was so positive that we ended up staging it in 2010.  The response to Utopia 5 years ago was similarly positive and apparently the company did consider staging it, but Utopia is harder to cast because it requires so many strong male voices - eleven!

The standard format is to break the shows into blocks for which people can register as participants, or buy tickets as audience members.  Friday night opens with the singing of "Hail Poetry" from The Pirates of Penzance - sort of an unofficial G&S "national anthem," if you will.  Three shows follow.  Saturday is the one full day - a 3-show block in the morning, 2 in the afternoon, and the concert production and one other show after dinner.  Sunday wraps up with the remaining 3 shows, traditionally closing with The Gondoliers because the finale lyrics "leave you with feelings of pleasure."

Attendees come from up and down the eastern United States, the Midwest, the South, and sometimes even from Canada and the UK.  You get hardcore G&S scholars and fans, people who are completely new to G&S and the way the "veterans" quote from the shows, and everyone in between.  We have second-generation attendees, couples who met doing one G&S show or another, and people who've built long-distance friendships over Savoynet, the Gilbert & Sullivan Archive, or the International G&S Festival in England (first in Buxton, now in Harrogate).  Knowing a little G&S can serve as a connection when visiting or moving to new places (that's certainly been my experience), even if you've never had an opportunity to perform.  These sing-alongs are a sort of "family reunion" of G&S fans, of course, but also of opera and music lovers, fans of choral music (Sullivan wrote some rich, rewarding ensemble music for his performers), and those who enjoy wordplay of the sort Gilbert did so well.

I've already loaded my scores (including a few duplicates, just in case) into the cart I'll use for Saturday's marathon, got a hotel room booked near the theater, and am looking forward to singing my brains out this weekend! 😁💓🎵🎶🎵

So much for sleeping in...

The 6th Great Gilbert & Sullivan Sing-Out will be held Labor Day weekend.  Sunday morning is scheduled to start with Utopia, Limited, not one of my favorites, followed by Iolanthe and Gondoliers, which are two of my favorites.  I had planned to skip Utopia and sleep in a little; not going to happen.  The joke's on me.  It turns out I'll be singing the lead contralto in Utopia.  That means that not only do I not get to sleep in, but I'll want to get up a little earlier than I otherwise might, to make sure my voice is awake for Lady Sophy. 😵

Called that one wrong

It seems my Grand Duke audition didn't go nearly as well as I thought.  Not only did I not get the Baroness, but I wasn't even offered one of the comprimario roles.  Ah well, chorus will be easy, given that I've sung the show before.  Not getting a role in Grand Duke means I'm still in the running, at least theoretically, for a role in the Sing-Out.  That announcement will be published sometime Wednesday.

FINALLY starting to nail this singing thing

I've gotten a lot of very encouraging feedback on my singing lately.  First was this semester's jury - the panel's comments were generally very positive.

When I sang my jury pieces for a friend who's a professional singer and voice teacher, he was very complimentary about my musicality, breath, line, and more - all the things I've been working on so hard lately.  He capped it with "You were someone who likes to sing.  Now you're someone who sings."  Coming from him, a person who doesn't give compliments lightly, that means A LOT!  I still do a happy dance when I think of it. 😄

I had an audition the other night and used my Handel jury piece, even though I was auditioning for a G&S show, just to show them what I can do nowadays.  The MD got this look on his face that I chose to interpret as "Wouldya look at what she can do!"  The director hadn't heard me in 7 years and commented on how much "fuller" my voice is now.  I told her I'd been working on it and she said, "It shows."

This morning I led the responsorial psalm at mass and had at least 4 people tell me how beautiful it sounded.

I still have a lot of work to do, getting all my technical stuff to be more automatic and "hard-wired," but I'm finally at the point where the years of voice lessons are starting to pay off.

Doctor, roofers, utilities, oh my...

What a day!  It started out w/ an 8 a.m. appointment with the Chief's urologist to discuss his diagnosis.  They caught it early, thank God!  Doc gave us a sheaf of paperwork with the clinical details and a lengthy list of links and citations for research and support groups.  Lots of "homework" to do before we meet with the surgeon in a couple of weeks.  I treated the Chief to coffee and scones afterward, then he dropped me off for class.

Got to my grad-student voice lesson to find she was fighting off a nasty migraine.  She soldiered through it; we just made do with natural light, and she leaned on the piano a lot.  Fortunately for her, the meds were kicking in by the time we finished.

We've got roofers overhead and in the yard, making noise and a big mess.  I'd forgotten (or blocked out) what a nuisance it is to get a new roof.  Every so often they drop something heavy, making a huge THUMP.  Makes it challenging to concentrate on homework.

And then there's the utility work.  The power company has our street blocked off while they replace a few utility poles.  There's nothing quite like pulling onto your one-way street (they moved a couple of cones to let us in) to see two enormous utility trucks on either side of the road, both facing the wrong way.  The power went out for about 10 minutes while they transferred the connection from the old pole to the new one.  Fortunately, the only clocks that need to be reset are those on the oven and microwave.

On the plus side, I got mostly positive feedback on my first lighting plot, my voice lesson went pretty well despite my teacher's migraine, and I was able to find a practice room beforehand so I could warm up before my lesson, which always makes for a better lesson.

The beauty of being a second-year senior

.. is that I'm at the point where I can pretty much take what I want.  I just need 2 "supporting" classes at the 300 or 400 level, one 400-level theater history class, and one last practicum credit - 10 credits.

I just had my advising session for the fall semester.  I told Susan (who's a marvel - she obviously loves her job) that I want to take 2 classes this summer that will count for my supporting classes.  One is Jane Austen: Novels, Films & Adaptations, the other is Hair & Wigs for the Theater.  You may remember I signed up for the latter class last summer, but it was canceled for under-enrollment.  It's the same instructor, so I'm assuming I'd be able to use the textbook I ordered last year, before the class was canceled.  I'm crossing my fingers that they get enough students to run the class this time.

That would leave me with only the history class & practicum to take in the fall.  However, I've already signed up to audition for Character Development and Contemporary Musical Theater.  The second one is self-explanatory, but the other one would be a unique performance opportunity.  Apparently you spend the semester "getting inside" an actual historical figure whose portrait or statue is in a local museum.  Toward the end of the semester, you reenact that person at the museum for actual museum patrons.  For example, if I were doing Eleanor Roosevelt, I'd interact with museum-goers as Eleanor Roosevelt, clothing, accent and all.

I'll also continue with the Vocal Minor program in the fall (assuming I audition successfully) and sing in one of the choruses.  Gotta get my music fix, after all. 😉

This is the "problem" with having my advising appointment so much before the next semester - we're just going into spring break and I'm already looking ahead to my next classes.

No opera chorus next semester

Back at the end of October, I learned they were looking for a few folks to fill out the chorus for next semester's operas (Orfeo and Orphee aux Enfers).  I was surprised that they just posted a sign-up sheet instead of holding auditions, but of course we all had to audition for our various choruses, so maybe they went from that.  I was the first to sign up as one of the mezzo volunteers, which meant I had that much longer to wait.  Yesterday 2 other mezzo volunteers and I finally got the "thanks but no thanks" email.

I'm a little disappointed, of course, but only a little, because the rehearsal schedule would be a pain - Fridays 4-6 pm, adding in Saturday morning rehearsals as you get closer to production. I'm also not very surprised - given the quality of the voices around me in chorus, the competition was pretty stiff.  And of course now I'll get to enjoy it from the audience. 😃

Testing my sight-singing skills

This was the 3rd Sunday running that I've covered a Methodist church gig for a colleague who had to leave town to be with her dying mother.  (What could I say when she asked but "Yes, of course!")  This morning the lead tenor tapped me to join him in the pulpit to lead the offertory hymns.  The first one was an old favorite, but the second one was one I'd never heard before.  Just imagine - I'm up there in front of God and everybody, with a mic 12" from my mouth as I sight-sing a hymn I was completely  unfamiliar with!

Two things saved me - Ian was singing the melody loud and strong, and it was a 19th-century hymn, so I could do a lot of successful guessing.  Naturally, I had to tease Ian about it in the choir room afterwards.  😄

I never thought much of my sight-singing skills, but maybe I'm better at it than I thought.  Not on a par with the music majors I rub shoulders with at school, but perhaps not as bad at it as I think I am.

The dream isn't dead after all; at least not yet

It turns out that, because I'm taking voice lessons with a grad student in the School of Music, the pre-screening audition requirement is waived!  I wish I'd known that before I paid for an accompanist, but that's secondary to the main point - this means it doesn't matter that none of the recordings were usable!  Wahoo!  Now I can fill out my application, attach the recording waiver video they sent me, and schedule my live audition for sometime in January.  Two more months to get my audition pieces and my technique whipped into shape - pray for me!

So much for being a music major

I was less than thrilled with how I sang last night.  This evening I got the first file of 4 (2 takes of each of my two pieces); I couldn't bear to listen to the whole thing.  SO many things I didn't like about it; there's no way they'd want to hear me in person.

Disappointing & discouraging, but...  First of all, that means I'll graduate next December instead of 2019 or later, saving me a buncha money.  There are other places I can study music theory and take piano lessons, with none of the pressure of an academic setting.  The only problem is, I'll have to figure out that much sooner what I'm gonna do with myself all day. :D

Good voice lesson, right before another big audition

Later this afternoon I'll record another music school pre-screening audition.  Yesterday's voice lesson was surprisingly productive.  I'd gone in feeling a bit cruddy (ah, seasonal allergies), but C assured me I was doing well - in good voice, breathing well, good energy.

I had an "aha!" moment when she had me working an exercise to loosen the root of my tongue (because tension anywhere in the vocal production tract is killer!).  I realized that my tongue was tensing up upon my inhalation unless I remembered my back breathing (i.e., expanding my full rib cage on the inhalation).  Another reason to do that back breathing!

Coincidentally, my Voice for the Actor prof had just introduced tongue exercises on Wednesday, including one to release tongue tension.  I love it when my various classes dovetail!  It's like I'm triangulating on good technique, reinforcing it from multiple angles.

Similarly, what both C andd my TA voice teacher have said about sustaining energy through a vocal line just got a boost from the energy exercises my Voice teacher had us do in class on Monday, to sustain energy through and past the end of a line.  All good!

C got a call from her mother during my lesson that she had to take.  Once she got off the phone, she explained that there was a completely unacceptable situation in her mother's building that the family was addressing.  When she explained the situation, I was livid for her mother's sake.  We then joked about "OK, now caress your lover's pillow" as I prepared to run through my other song.  Maybe it was having my blood boiling, but boy, was my energy good for that song! :D  I may have to use that trick this afternoon.

I'm trying not to get too worked up about this.  I need to relax (hah - as if!), breathe, remember the main technical points I've worked on since I did this last year, breathe some more, and, most importantly, enjoy the music.  After all, I picked these pieces because I liked them and knew I could live with them for months (or, in the case of one, over a year).  Now they're old friends; I need to sing them with that love.

If nothing else, I'm bound to do better than last year.  That was discouraging - back to singing only a week after taking about 3 weeks off because those blasted seasonal allergies were making singing actually painful.  This year I'm healthy (knock wood), and I've got an additional year of technical work, practice, and coaching under my belt.

I plan to get to campus early, find a practice room, and review all the technical and textual points I want to perform, do some loosening-up exercises, and maybe even get myself to relax a bit so I can enjoy singing these pieces.

Having some good singing stuff lately

About a month ago, I started noticing I was having the same throat-clenching when singing that put me on vocal rest last October, just as I was about to record my music school preliminary audition.  However, I've managed to have 2 good auditions despite that - one for the university choruses (everyone has to reaudition every year), the other for the School of Music's voice minor series (finding "guinea pigs" to take lessons from vocal pedagogy grad students).

I think some of it is getting better at remembering all the technical stuff that keeps me vocally healthy.  I've also been shaken up by having to take lessons from my two previous voice teachers while my current teacher deals with some other things.  That reminded me of some things I'd covered with them years and years ago.  And maybe I'd gotten just a bit too comfortable working with my current teacher, so this forced me to look at other aspects of this whole singing thing.

All of it makes me feel a lot better about this year's attempt to get into the School of Music.  I finally have a lesson with my current teacher this Friday.  Depending on what she recommends, I may end up recording this audition in September, not October (deadline is 1 Nov.) so I can relax a bit while I wait to hear whether they want me to come for a live audition.  Wish me luck!

I got that paid singing gig back this spring, and my voice teacher just emailed me about a section-leader sub job in a coupla weeks.  Just a one-time thing, late enough in the morning that I'll still be able to sing with my own choir, and it's Catholic, so I already know the order of service.  Now to call the music director and hope they haven't already filled it.

Grade update, in case you were wondering

I did indeed get straight As for a second semester!  Woohoo!  I checked the transcript for my first BA; the only semester I got straight As was my final one, when I was only taking 11 credit hours.  Learning how to plan things out so I didn't find myself doing everything at the last minute has been a very handy life lesson (even if I still had problems with things taking longer than I'd anticipated).  ;)

This fall will probably be another 14-hour semester:  Voice for the Actor I, History of Theater I, Intro to Stage Management, and Rendering for the Theater I (I'm waitlisted, but will show up the first day of class and hope for the best; it worked this spring) are all 3-credit classes.  My one-credit practicum in the Scene shop (only the 2nd half of the semester, sadly) and Chorale will bring me up to 14.  

I have to audition for Chorale and that won't happen until the beginning of the semester, but I'm optimistic I'll be able to get in.  However, if they don't want to let the upper voices grossly outnumber the men, as happened this spring, I could have a problem.  Unless they ask me to sing tenor; I did have lotsa low Fs in the Monteverdi we sang in the Spring concert.  TBD...

I have a PAID church gig!

I got an email yesterday from one of the other singers in the benefit concert I did last summer.  She wondered if I could sub for her at her church job for 2 weeks while she & her husband are out of town for a wedding.  My calendar's clear for the dates, so I said yes.  After singing for free at my own church essentially all my life, I'm actually gonna get PAID to go to 2 choir rehearsals and sing 2 services along with the rest of the choir.    Not my denomination, so I'll have to pay close attention to the order of service, but that's a minor point.  I have no plans to give up singing at my own church, but it's a nice little change of pace, and the cash will be a nice bonus. :)