The Musical Theater Workshop I'm taking this semester meets once a week for a 3-hour class period. We've only met twice so far, but already I'm getting a new perspective on auditioning and performing an audition piece, and about how I need to rethink both.
I've sung in choirs and choruses on and off, but mostly on, since grade school. That's a LOT of singing, but no instruction on technique. It wasn't until I was fairly well established in my career, and had done community theater with a lot of excellent singers, that I decided I both wanted and could afford to take voice lessons. Over the ensuing coupla decades, most of those lessons have been remedial work - unlearning all the bad habits I developed because a choir director doesn't have time to correct singers' vocal production techniques. Only recently have I gotten to be a singer, not just someone who likes singing.
This class has already shown me that I've spent so much time working and concentrating on my technique that I focus on that when I sing, whether in performance or audition. They don't care about my technique (unless it's awful, of course); they want to hear me put my heart & soul into what I'm singing, bring it to life. A pretty voice is all well & good, but directors want to cast someone who inhabits the music. Now that I realize that, I need to work on trusting my technique to take care of itself while I learn how to really deliver a song.
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